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Nature has always been a profound source of inspiration for artists. The beauty of landscapes, the changing seasons, and the interplay of light and shadow evoke emotions that transcend the literal. Abstract landscapes take this inspiration a step further by transforming natural scenes into expressive forms and colours. This approach allows artists to capture the essence of nature without being confined to realistic representation. I've been exploring this idea with en plein a

Abstract art has always had a special way of making us feel something — even without clear forms or familiar subjects. It speaks through colour, shape, rhythm, and mood. And one of the most intriguing ways it does this is through the idea of flat dimensions — art that celebrates the surface rather than pretending to have depth. I'm exploring this idea in my current work - but only in sections and trying to fuse this concept with my general landscape direction is an interestin

It is a privilege to be chosen for inclusion in the Circle Foundation for the Arts Art Ideal: Volume 5, especially as the curator's essay and purpose of gathering these artists together resonate deeply with me at this moment in time. Tunberg's essay explores the theme of 'polyphony', which refers to the simultaneous combination of several parts, each with its own melody, yet harmonizing together. This offers a timely perspective on the contemporary art world.

The Strangeland Series captures the essence of artistic exploration through the abstract painting process. Each piece uniquely combines vibrant colors, dynamic shapes, and intriguing textures to reflect a journey into abstraction and a dreamlike sense of place. ​Consciously stepping away from the more literal references to landscape in my Latent and Wayfinder series, these paintings have taken me on a journey further into abstraction with a greater emphasis on the interplay

I'm thrilled to have been selected as a featured artist in Create! Magazine's latest issue. My interview for the magazine is below or if you'd like to know more about what's in the rest of the issue - read on!

I always feel totally clueless........ in the beginning. But it's really the best way to feel at the start of a painting. And for me, the only way to feel when I'm staring at a blank canvas.