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There are notable and high profile mammal species that are at risk globally, but I chose to explore my backyard and look at Australian creatures, and subsequently the smallest beings that are essential to our survival as a human species, as they act on a macro level to ensure both the physical health of our ecosystems and the productivity and sustainability of our food plants due to their role as pollinators.

The Strangeland Series captures the essence of artistic exploration through the abstract painting process. Each piece uniquely combines vibrant colors, dynamic shapes, and intriguing textures to reflect a journey into abstraction and a dreamlike sense of place. ​Consciously stepping away from the more literal references to landscape in my Latent and Wayfinder series, these paintings have taken me on a journey further into abstraction with a greater emphasis on the interplay

​This body of work saw me return to my monochrome sketchbook drawings of plants and foliage for fresh inspiration. My aim was to re-interpret these black and white mixed media drawings and transform them into new references to the natural world in my abstract landscape work. Adding another dimension to the aesthetic of my paintings in the form of organic shapes was made possible by revisiting prints, drawings and paintings of tangled undergrowth, trees, ponds and water plants

This series began with the concept of allowing the latent qualities of my mixed media working process to surface and manifest in ways that are ultimately guided by the diversity of momentary action and thought.  ​ Reflecting on recent work, in particular my Portal Series and The Boardwalk, I also wanted to revisit elements of the visual language that developed during the making of this past work, including verticals, horizontals and organic shapes.

​The River House Commission was created in response to a unique setting—a home perched above the Noosa River, where water, light, and shifting reflections define the atmosphere of place. Each painting was conceived to echo the rhythms of the river, the riverbanks, and the passing watercraft. They offer a dialogue between the different energies of the river and the home itself.

Working on my Portal Series encouraged my fascination with swales and beach access tracks along the Sunshine Coast.  ​ The Boardwalk was inspired by these meeting places of land, sea, and sky; thresholds where movement, memory, and atmosphere converge. They are places of the 'in-between', with pathways that tempt us to hurry along, in pursuit of the expansive ocean vista, that we know awaits.