top of page

Artistic Self Reflection: Is my painting any good?

  • Jun 28, 2022
  • 3 min read

I've been tuning in to quite a bit of artists chat recently, where artists have been asking themselves this question. So naturally, it got me thinking about artistic self reflection. What does this even mean and who gets to decide?


Is my painting any good?
Is my painting any good?

It too is a question I ask myself almost constantly during my making process and with extra time allowed to consider it when I feel I'm at the point I'm ready to declare a piece finished.


I don't think it matters whether you're a beginner or a more experienced artist, at some stage in the process of making a painting, it's natural to find yourself taking time for some artistic self reflection and asking if your work is any good.


There are no definitive rules around what makes art good or not. Different people like different artworks for different reasons, and that's just the way it is. I know I'll never make a painting that is seen as 'good' by every single man and his dog on this planet. There will be people who think it's good and people who think it's not. How do you weigh up who has the more valid opinion? I'd say it's pretty impossible to listen objectively to one more than the other, as appreciating art is such a subjective thing and the reasons for their opinions will likely vary greatly, and may or may not include knowledge and experience of art.


So who should I listen to?


| Who gets to decide if my painting is good or not?


The answer is, me, because I alone know the intentions behind it, what I am capable of achieving with the skills and knowledge and experience that I have at that point in time.


I just have to trust my own judgement, use my own criteria and make this call for myself.


Now I know that I'm making the decision, it brings me to the 'how'.


| How do I decide if my art is any good?


I ask myself more questions of course!


  • Will this painting stop people in their tracks, so that they will want to take time to stand and engage with it at it?

  • Does this painting have elements that are visually intriguing which will captivate people enough so that they want to ask me about how/why I made it?

  • Will this painting make people want to both stand back to take it in, but also come up very close to investigate the details?

  • Will this painting induce an emotional response in people who see it?

  • Do I feel this piece has reached it's full potential?

  • Will this painting provoke a real, genuine (and hopefully positive) reaction in those who look at it?

  • Will people say things like, 'now that's interesting' or 'oh I love that!'?

  • Do I think someone will find enough to love about this painting that they will buy it and hang it on their wall?

  • Do I have the 'story' of this painting straight in my mind and can I articulate it?

  • Am I sure that I have resolved whatever that story is?

  • Do I feel ready to share this painting and it's story with the world 'Out There'.

  • Have people been showing an interest in what I'm doing with this work via social media and my personal and/or local artists networks?

  • Would I be prepared to approach a gallery with this work or submit it to a juried art prize?


If I can answer 'yes' to most, if not all of these questions, then I trust that my painting is good enough, in my mind, to be shared with the world 'Out There'.


| Artistic Self Reflection is Only One Part of the Story


So then it's just a question of finding the confidence to get on and do it.

But acquiring that confidence is another story and thoughts for a different blog post!



Two gifts for you before you go:

If you enjoyed this, you'll love these too:

Free Mini Guide

Bold white type says 'acrylics' over a swirl of orange pint photo

Understanding how your paint behaves will transform your gelli printing results — and your painting practice too.

This free guide covers:

Green tick for pros and cons.jpg

The difference between paint types and the Structure - Flow spectrum. 

Green tick for pros and cons.jpg

Choosing the right consistency with intention to support your painting practice

Green tick for pros and cons.jpg

Choosing the Right Paint for the Job

Green tick for pros and cons.jpg

Understanding paint opacity

Green tick for pros and cons.jpg

Printable Studio to Guide Acrylics poster

Newsletter for Artists & Creatives

The Makers Mind in white type over a pink abstarct background

When you download your free guide you'll also receive The Maker's Mind,  my newsletter for artists and creatives who'd love know a little more! 

You can expect:

Green tick for pros and cons.jpg

​Studio process, including honest insights into how I work and what I'm currently exploring 

Green tick for pros and cons.jpg

​Practical printmaking and painting tips and techniques you can try straight away 

Green tick for pros and cons.jpg

New guides and resources (you'll always hear about these first)

Green tick for pros and cons.jpg

Behind the scenes look at works in progress and studio life 

Green tick for pros and cons.jpg

Insights into useful art theory & fascinating snippets of art history

This guide and my newsletter are completely free, just pop in your email and they're yours instantly.

No spam ever, no overwhelm. Just thoughtful letters from the studio when there's something worth sharing.

Unsubscribe anytime.

Charlotte Heart Signature on #Pale Pink.jpg

Already subscribed? The guide will be waiting in your inbox.

bottom of page